{"id":4213,"date":"2025-04-26T15:55:53","date_gmt":"2025-04-26T13:55:53","guid":{"rendered":"https:\/\/rencontres-brangues.fr\/nrb\/?p=4213"},"modified":"2025-06-19T08:02:04","modified_gmt":"2025-06-19T06:02:04","slug":"poete-a-new-york","status":"publish","type":"post","link":"https:\/\/rencontres-brangues.fr\/nrb\/poete-a-new-york\/","title":{"rendered":"L’Am\u00e9rique des po\u00e8tes"},"content":{"rendered":"\n

Vendredi 27 juin 2025 \u00e0 21h<\/h3>\n\n\n\n

Po\u00e8te \u00e0 New York<\/strong>
Federico Garcia Lorca<\/h4>\n\n\n\n
[A la Ferme]<\/h5>\n\n\n\n
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Avec Anne Alvaro <\/strong>: com\u00e9dienne, Fran\u00e7ois Raulin <\/strong>: piano, Louis Sclavis<\/strong> : clarinettes

En 1929 l\u2019Espagnol Federico Garcia Lorca, po\u00e8te, \u00e9crivain et peintre quitta Madrid pour aller vivre \u00e0 New York. Il \u00e9prouva un m\u00e9lange de fascination et de terreur.
Sa po\u00e9sie en a \u00e9t\u00e9 d\u00e9finitivement chang\u00e9e, acqu\u00e9rant une dimension nouvelle m\u00ealant le baroque espagnol, le romantisme et le symbolisme. C\u2019est cette po\u00e9sie que fera entendre la com\u00e9dienne Anne Alvaro accompagn\u00e9e des musiciens Louis Sclavis (clarinettes) et Fran\u00e7ois Raulin (piano).

En guise d\u2019introduction, une autre com\u00e9dienne, Louise Chevillotte, fera entendre quelques vers de L\u2019\u00c9change<\/em> de Paul Claudel,<\/strong> magnifique intuition du po\u00e8te sur les promesses de ce pays au prise avec sa nouveaut\u00e9.
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Anne Alvaro<\/strong>, come\u0301dienne
Anne Alvaro inte\u0300gre des troupes de the\u0301a\u0302tre dans l’effervescence de mai 68, et ne tarde pas a\u0300 se faire un nom, travaillant avec les plus grands metteurs en sce\u0300ne, de Denis Llorca a\u0300 Bob Wilson en passant par Andr\u00e9 Engel, Alain Franc\u0327on ou Georges Lavaudant.
Elle fait sa premie\u0300re apparition a\u0300 l’e\u0301cran dans le Danton de Wajda en 1982, et on la retrouve dans les films tre\u0300s personnels de Raoul Ruiz (La Ville des pirates, 1983). Le grand public la de\u0301couvre au cine\u0301ma en 2000, dans Le Gou\u0302t des autres d’Agne\u0300s Jaoui. Sa vibrante composition lui vaut le Ce\u0301sar du Meilleur Second Ro\u0302le en 2001.
Cette actrice a\u0300 la belle voix grave continue de privile\u0301gier le the\u0301a\u0302tre (Patrick Pineau, David Lescot, Giorgio Barbiero-Corsetti, au Festival d\u2019Avignon en 2014), elle joue le r\u00f4le d\u2019Hamlet dans une traduction et mise en sc\u00e8ne de G\u00e9rard Watkins, rejoint r\u00e9cemment le jeune metteur en sc\u00e8ne S\u00e9bastien Kheroufi dans Par les villages de Peter Handke, tout en participant a\u0300 des projets cine\u0301matographiques originaux.<\/p>\n\n\n\n

Louis Sclavis<\/strong>, clarinettiste , compositeur .
Depuis le d\u00e9but de sa carri\u00e8re au d\u00e9but des ann\u00e9es soixante dix ,Louis Sclavis a toujours collabor\u00e9 en parall\u00e8le a ses concerts et propres projets, avec des artistes travaillant dans d’autres domaines , comme Bertrand Tavernier ou Amos Gita\u00ef pour le cin\u00e9ma , Mathilde Monnier ou Viola Farber pour la danse le plasticien Ernest Pignon Ernest , le photographe Guy Lequerrec .
Ses premi\u00e8res rencontres avec d’autres disciplines des 1971 se sont faites avec le th\u00e9\u00e2tre pour lequel il a longtemps compos\u00e9 .
Et c’est tout naturellement qu’il a fait de nombreux \u00ab\u00a0concerts lecture \u00a0\u00bb associ\u00e9 \u00e0 des po\u00e8tes comme Marc Porcu , R\u00e9mi Checchetto et des com\u00e9diens comme Charles Berling, Jacques Bonnaff\u00e9 , Fran\u00e7ois Marthouret , Pierre Baux ou Daniel Mesguich .
Il a, en compagnie du com\u00e9dien metteur en sc\u00e8ne Jean Paul Delore et du bassiste S\u00e9bastien Boisseau, cr\u00e9\u00e9 et enregistr\u00e9 un spectacle Langues et lueurs autour d’une lecture d’\u00e9crivains africains contemporains, avec lequel ils ont re\u00e7u en 2025 le grand prix de l’acad\u00e9mie Charles Cros
Louis Sclavis et Fran\u00e7ois Raulin jouent ensemble depuis quarante ans et pour une premi\u00e8re fois pr\u00e9sentent un dialogue musique et textes avec Anne Alvaro qui a choisi de lire des extraits du livre Un po\u00e8te \u00e0 New York du po\u00e8te Federico Garcia Lorca .<\/p>\n\n\n\n

Fran\u00e7ois Raulin<\/strong>, pianiste compositeur
Autodidacte, il s\u2019est form\u00e9 sur la sc\u00e8ne du jazz actuel avec des rencontres marquantes , comme celle de Louis Sclavis avec qui il travaille depuis 1981 .
Attach\u00e9 \u00e0 la notion de collectif, il fonde les associations l\u2019AGEM en 1981, puis la forge en 2000, ou il initie de nombreux projets , cin\u00e9-concerts, concerts dessin\u00e9s, conf\u00e9rences musicales scientifiques et ornithologiques, etc \u2026
Il d\u00e9veloppe une relation approfondie avec les musiques traditionnelles et les chants et textes anciens qui s\u2019y rapportent .
Depuis 1981 au cot\u00e9s de musiciens d\u2019Afrique de l\u2019Ouest , ou le chant traditionnel mandingue tient une grande place .
Son 3eme volet du projet \u00ab Sous le ciel \u00bb avec 6 musiciens traditionnels de Shanghai et 6 musiciens fran\u00e7ais ,compos\u00e9 \u00e0 partir de po\u00e8mes chinois mill\u00e9naires .
Depuis 2007 , 2 cr\u00e9ations avec le ch\u0153ur de femmes Great Bulgarian voices sur les textes et chants de cette tradition ancestrale .
Avec le com\u00e9dien Gilles Arbona , Satierick Excentrik sur la musique et les textes de Satie.
Ce sera sa 3\u00e8me cr\u00e9ation avec Anne Alvaro , apr\u00e8s 1000 dialectes, sur l\u2019histoire vraie de Ishi le dernier indien \u00ab sauvage \u00bb d\u2019Am\u00e9rique ( texte de T. Kroeber.) et Colporteurs sur des textes choisis de colporteurs fran\u00e7ais, ou colport\u00e9s du japon, d Afrique ou d\u2019Am\u00e9rique du sud.<\/p>\n\n\n\n

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<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Vendredi 27 juin 2025 \u00e0 21h<\/p>\n

Po\u00e8te \u00e0 New York
Federico Garcia Lorca<\/p>\n

[A la Ferme]<\/p>\n

Avec Anne Alvaro : com\u00e9dienne, Fran\u00e7ois Raulin : piano, Louis Sclavis : clarinettes<\/p>\n

En 1929 l\u2019Espagnol Federico Garcia Lorca,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[68,80,81],"tags":[],"class_list":["post-4213","post","type-post","status-publish","format-standard","hentry","category-rencontres-2025","category-poesie-et-musique","category-theatre"],"yoast_head":"\nL'Am\u00e9rique des po\u00e8tes - 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